Brands of the World™ an All Creative World site
Brands of the World is the home for the largest library of freely downloadable vector logos, yearly logo awards celebrating the best identities and a logo critique community.
Follow Me on Pinterest
Google+

Unbeige

Subscribe to Unbeige feed
Where Designers Read Design
Updated: 4 min 45 sec ago

Favorite Thing: MZ Wallace’s Artists for Haiti Tote Returns

Thu, 07/10/2014 - 13:42

Artist Raymond Pettibon‘s enchanting scrawl, a very good cause, and sequins: a more appealing trio of reasons to purchase a new tote bag we have not encountered. The accessories wizards over at MZ Wallace have gone into their capacious bag vault (which we imagine to be a milky white, high-ceilinged affair that smacks of Richard Gluckman) to reissue their Artists for Haiti tote, created in 2011 to raise funds for the nonprofit that supports education and health charities in Haiti. All proceeds from sales of the $175 nylon bag—originally in black and now in a creamy khaki dusted with bronze sequins and featuring Pettibon’s lettering on the leather handles—will benefit programs endowed by Artists for Haiti.

Have a suggestion for our next Favorite Thing? E-mail unbeige@mediabistro.com.

New Career Opportunities Daily: The best jobs in media.

Categories: News

At Chanel, Le Corbusier Inspires Concrete Couture

Wed, 07/09/2014 - 14:12


At left, a view of the Paris apartment designed by Le Corbusier that inspired Chanel’s latest haute couture collection and runway show. (Photos from right: © FLC/ADAGP, Olivier Saillant)

Having recently tapped into markets high (fine art) and low (the grocery store) to inspire his collections for the megahouse of Chanel, Karl Lagerfeld looked to the work of Le Corbusier to fire up his creativity for the fall couture. With the blessing of the Le Corbusier Foundation, he transformed the Grand Palais to resemble the paradoxical outdoor living room, complete with fireplace, of the long-demolished Champs-Elysées apartment that Corbu designed in 1929 for one Charles de Beistegui. “All white concrete, with some baroque elements,” said Lagerfeld yesterday in a post-show interview, as he described his architectural inspiration.

The modern material found its way into the collection via tiny tiles of gray and white concrete (pink and green are in the works) that Lagerfeld used for elaborate or starkly geometric mosaic-style embroideries that accented bodices, traced hems, and encrusted entire dresses, all shown with flat sandals and feather-like hairstyles. “What I liked about this collection is that it’s really flawless, impeccable shapes—they’re light, they float, they don’t walk heavily…and I think that makes it more modern.”
(more…)

New Career Opportunities Daily: The best jobs in media.

Categories: News

Quote of Note | Ed Ruscha

Wed, 07/09/2014 - 01:41

“I can’t stop looking at this guy, because he looks like somebody on the street, like somebody I know. If you cut his hair a little different, he might be a baseball player—I don’t know. He could be José Canseco. He’s got a certain look that puts him into the twenty-first century. Most paintings of people do not, so it’s really unusual, especially with Memling’s pictures. They sort of cross centuries. And I like to be aware of that. Every so often I’ll see someone on the street that looks to me like they’re from 1950—they’re dressed like they are today, in today’s clothing, but they still have a 1950 face. And this man has a twenty-first century face somehow.”

-Artist Ed Ruscha on Hans Memling‘s Portrait of a Man, c.1470, during a recent event at the Frick Collection

New Career Opportunities Daily: The best jobs in media.

Categories: News

Design Jobs: Emerald Expositions, Yodle, Kveller.com

Tue, 07/08/2014 - 18:30

This week, Emerald Expositions is hiring a graphic designer, while Yodle needs a visual designer. Kveller.com is seeking a graphic designer, and Trapeze is on the hunt for an art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

Graphic Designer Emerald Expositions (White Plains, NY) Visual Designer Yodle (New York, NY) Graphic Designer Kveller.com (New York, NY) Art Director Trapeze (Toronto, Canada) Senior Designer College of Architecture, IIT (Chicago, IL)

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Categories: News

NYHS Exhibit Fêtes Ludwig Bemelmans and Madeline on Her 75th Anniversary

Tue, 07/08/2014 - 13:35

Nancy Lazarus heads up Fifth Avenue covered in vines, in search of twelve little girls in two straight lines, or at least the smallest one of the bunch: Madeline, and her creator.


Madeline at the Paris Flower Market, 1955. Courtesy the Estate of Ludwig Bemelmans.

As a hotelier, cartoonist, and fabric designer, Ludwig Bemelmans was a jack of all trades, but Madeline, published in 1939, became his masterpiece. The New York Historical Society is marking the 75th anniversary with a retrospective of his career. “Madeline in New York: The Art of Ludwig Bemelmans,” is on view through October 19.

“He took any jobs that came along,” said exhibition curator Jane Bayard Curley of the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts, the show’s organizer. Over 100 works are on display, reflecting Bemelmans’ many talents: drawings, paintings, manuscripts, photographs, and specially commissioned objects, including murals for the playroom of Christina, the Onassis yacht. Bemelmans’ family opened their archives to lend artwork and memorabilia.

“We created a faux Bemelmans’ Bar, but don’t tell the Carlyle,” joked Charles Royce, who along with his wife Deborah, lent murals from their luxury hotel, Ocean House in Watch Hill, Rhode Island. They acquired six plaster works, which had once graced the walls of Bemelmans’ La Colombe bistro in Paris. Royce was referring of course to New York’s Carlyle Hotel, where Bemelmans painted murals depicting the seasons of Central Park.
(more…)

New Career Opportunities Daily: The best jobs in media.

Categories: News

Watch: Marina Abramovic Teams with Adidas on New Film

Mon, 07/07/2014 - 14:54

Opposing bunches of talented young people shuttle purposefully from one side of a rectangular surface to another. Sound familiar? No, it’s not the World Cup—sorry, the 2014 FIFA World Cup™—but Marina Abramovic‘s restaging of her 1978 performance Work Relation. And hold on to your Sambas, because the film (below), which was shot in Brooklyn by Dustin Lynn and debuted today on Nick Knight‘s Showstudio, was made in collaboration with Adidas. And so the eleven performers, wearing white lab coats bearing the monogram of the Marina Abramovic Institute and Adidas kicks as they go about their competitive task, evoke a team of clinically precise athletes, with Abramovic in the role of wise referee.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Friday Photo: Tadao Ando Takes a Picture

Fri, 07/04/2014 - 13:37


(Photo: UnBeige)

Tadao Ando first visited the Clark Art Institute, located in Williamstown, Massachusetts, in 2001, having emerged as the clear winner in the competition to develop an architectural master plan for the institution, known for its top-notch collection of Old Masters and Impressionists as well as a hub for art historical research and conferences. On his most recent visit from Osaka, just last week, Ando surveyed the nearly finished project, camera in hand. Trailed by a scrum of journalists and museum staff, he regarded with approval and personal snapshots the expanded Clark and its transformed 140-acre campus, which opens to the public today.

The multi-phase project combined Ando’s talents with that of Annabelle Selldorf (who expanded and renovated the Clark’s original 1955 museum building), Gary Hilderbrand (responsible for the sweeping and sustainable redesign of the Clark’s grounds), and Gensler (which served as executive architect). Ando’s 42,560-square-foot Clark Center, the new stone, concrete, and glass centerpiece of the campus, serenely fulfills an astounding array of functions spread between two levels—reception, exhibition space, dining, retail—while uniting the new with the old and the built environment with natural wonders—verdant hills, trails, and a new three-tiered reflecting pool that later this year will become an epic skating rink. In describing the project, Ando emphasized the theme of continuity: “The continuity of the Clark family, the continuity of history, the continuity of the seasons,” he said. “There really is this continuity throughout the site.”

New Career Opportunities Daily: The best jobs in media.

Categories: News

Quote of Note | Tomas Koolhaas

Fri, 07/04/2014 - 05:04


Rem Koolhaas in Venice at sunset. (Photo: Tomas Koolhaas)

“Usually architecture documentaries really only appeal to viewers with a deep understanding of architectural concepts and jargon. I think by taking a more humanistic approach my film will appeal to anyone who can relate to other people….I don’t think it’s as black and white as either ‘architecture people’ or ‘general public.’ I think there are a lot of gradations in between. For example, creative people who can appreciate architecture but maybe are not interested enough to be very well versed in technical jargon or abreast of every element of architectural discourse. I think those people make up quite a large group and most architecture documentaries fail to engage them. It’s those kinds of people that my film could manage to reach. I don’t presume to think that a large portion of my audience is going to be people who don’t care about architecture at all, but I want there to be elements of the film that anyone can enjoy.”

-Tomas Koolhaas on the anticipated audience for the documentary (view trailer below) he is making about his father, architect Rem Koolhaas. Read the full interview in the new Rem-themed issue of CLOG.
(more…)

New Career Opportunities Daily: The best jobs in media.

Categories: News

Elle Decor Celebrates 25 Years, 1 Red Chair

Thu, 07/03/2014 - 13:12

It’s not easy to wish yourself happy birthday in an engaging video, but Elle Decor pulls it off with the help of a cherry red armchair. Paradoxically named for another magazine, Poltrona Frau’s “Vanity Fair” chair graced the cover of the very first stateside issue of Elle Decor (pictured) alongside coverlines including “The Simplicity of American Wood” and “America’s Love Affair with Wildflowers.” That was nearly twenty-five years ago, and the magazine rounded up some of its favorite people—from interiors all-stars such as Bunny Williams and Robert Couturier to fashion designer Carolina Herrera and longtime contributor Daniel Boulud—to celebrate the impending quarter-century milestone.

A special anniversary issue is planned for the September edition. As for that red armchair, it’s safely ensconced in the Elle Decor offices, where it will be forever be compared to its younger self. “It has more alizarin in it,” says interior designer Alessandra Branca in the video, pointing to the actual chair before turning back to one depicted in the vintage magazine in her lap. “That has more cadmium.”

New Career Opportunities Daily: The best jobs in media.

Categories: News

Surface Brings Back Avant Guardian Photo Contest

Wed, 07/02/2014 - 13:00

Surface magazine’s Avant Guardian contest is back—and better than ever. Among the tantalizing opportunities up for grabs in the competition (returning after a few years’ hiatus) is the chance to share an issue with the man, the myth, the Mario Testino, who is fronting the October Surface in honor of his upcoming “Alta Moda” exhibition at Dallas Contemporary.

“The contest is all about nurturing rising talent—from getting entrants’ work in front of an exceptional jury, awarding free studio time to produce an original spread in the magazine, and exhibiting their work to a crowd of influencers in New York and Miami during Art Basel,” associate editor Aileen Kwun tells us. Among those who have signed on to judge the submissions are architectural photographer Iwan Baan and Johan Lindeberg of BLk DNM. Entrants may submit a portfolio of up to ten images in one of five categories (fashion, architecture, portraiture, fine art, and technical/still life) before the July 24 deadline.

Photo: Mario Testino

New Career Opportunities Daily: The best jobs in media.

Categories: News

Hennessy and Pratt Institute’s ‘Wild Rabbit’ Competition Winners Announced

Tue, 07/01/2014 - 21:03

Writer Nancy Lazarus hops over to Pratt Manhattan Gallery for a creative collaboration between Pratt Institute and Hennessy V.S.


Pratt MFA student Eduardo Palma’s winning project, an interactive poster. (All photos: Pratt Institute/Peter Tannenbaum)

Pratt Institute once again teamed with Hennessy for the “Wild Rabbit” contest. The third annual competition challenged nine Pratt students from six creative disciplines to create works of art based on Hennessy’s M.O., “never stop, never settle,” symbolized by the constantly striving bunny brand icon. A panel of seven industry judges recently viewed the works at Pratt’s Manhattan Gallery and selected the top three winners, who will fly to Los Angeles next week for an event where their works will be on display in conjunction with the launch of a Shepard Fairey-designed bottle of Hennessy V.S. Multi-layered approaches marked the common themes for the winners, though they hailed from different geographic areas and interpreted the assignment differently. Here’s a look at the winning projects.

First place ($10,000): Eduardo Palma (at right), from Bogota, Colombia, MFA in communications design
His wild rabbit: Impacting culture through language
Es Mejor ser Rich que Poor (“It’s better to be rich than poor”) is the statement on Palma’s wall-size poster, set in Friz Quadrata. The surface layer shows a Latin American map in the tones of American currency, divided into cutouts of heavy cardstock.

Palma invited viewers and judges to remove the postcards, uncovering another saying, Plata or Plomo (“Money or Lead”). The quote is from Colombian drug trafficker Pablo Escobar, who enforced a bribes-or-bullets program. The bottom newsprint layer shows images in red, yellow, and blue—the colors of the Colombian flag—and depicts Escobar becoming Donald Trump.
(more…)

New Career Opportunities Daily: The best jobs in media.

Categories: News

Design Jobs: Heartland Brewery Group, New Relic, Next Magazine

Tue, 07/01/2014 - 18:30

This week, Heartland Brewery Group is hiring a graphic designer, and New Relic needs a graphic designer, too. Meanwhile, Next Magazine is seeking a design director, and Madison Performance Group is on the hunt for a graphic and web designer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

Graphic Designer Heartland Brewery Group (New York, NY) Graphic Designer New Relic (San Francisco, CA) Design Director Next Magazine (New York, NY) Graphic and Web Designer Madison Performance Group (New York, NY) Exhibit Architect Designer European-Based Agency (Houston, TX)

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Frieze Taps Barber and Osgerby’s Universal Design Studio to Design London Fair

Mon, 06/30/2014 - 13:51

Now in its eleventh year, Frieze London is getting a new look. This year’s fair, which runs October 15-18 in leafy Regent’s Park, will be designed by Universal Design Studio. The creative consultancy, founded in 2011 by designers Edward Barber and Jay Osgerby to focus on architecture and interiors, takes over from fellow Londoners Carmody Groarke, who handled the fair’s architectural aspects (read: supercool megatent) for the last three years. Frieze has previously employed Caruso St John (2008-2010), Jamie Fobert (2006–2007) and David Adjaye (2003-2005).

“The architecture and design of the fair have always been an important part of our identity,” say Frieze founders Amanda Sharp and Matthew Slotover. “This year we were drawn to Universal in particular due to their work on interiors and focus on materials. As some of the best designers working in this area, their lateral thinking has been demonstrated by some of their great furniture and even their design for the Olympic torch. We’re really looking forward to them bringing this sensibility to Frieze.” Among Universal’s recent projects are Google Web Lab at London’s Science Museum, exhibition design for Vitra’s Vitrahaus exhibition, and both the interior and exterior of the London outpost of the Ace Hotel.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Last Chance: Apply to SVA’s MA in Design Research

Fri, 06/27/2014 - 12:28

It was the great design scholar Ferris Bueller who once said, “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” New York’s School of Visual Arts is heeding the need for speed and the importance of looking around with a one-year MA in design research, writing, and criticism. The new graduate program, which launches this fall, is an evolution of D-Crit (the two-year MA program in design criticism that has been sharpening design minds since 2008) streamlined into two semesters and eight months of studying images, objects, and environments, and learning ways to construct multi-format narratives that bring them to life from a faculty that includes Steven Heller, MoMA’s Paola Antonelli, and Murray Moss. “The program’s curriculum charts the cutting edge of design practice and is responsive to exciting developments in the media landscape,” says Alice Twemlow, the program’s founding chair. And there’s still time to apply (Psst: we hear significant scholarships are available): get your application in no later than Monday, and tell ‘em UnBeige sent you.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Seven Questions for Chester Jenkins, Designer of New Cooper Hewitt Typeface

Thu, 06/26/2014 - 14:10


(Photo: Kirstin McKee)

Come December, the renovated and expanded Cooper Hewitt will welcome back visitors with a bold new look. The tricky task of reimagining the graphic identity of the Smithsonian Design Museum was taken on by Pentagram’s Eddie Opara, who tapped Chester Jenkins to work his typographical magic. Jenkins, co-founder of Brooklyn-based Village, created a custom typeface—Cooper Hewitt—that the museum has released into the digital wild: the bold sans serif can be downloaded free of charge as installable fonts, Web font files, and open-source code. Having taken the recent press preview of the museum as an excuse to follow Jenkins around and ask him his views on the various typefaces that were revealed by the painstaking restoration of the Andrew Carnegie Mansion, we agreed to relent if he would answer just seven more questions. He graciously agreed.

What three words best describe the Cooper Hewitt typeface?
Objective. Accessible. Spirited.

How does Cooper Hewitt differ from your Polaris Condensed?
The width of Cooper Hewitt is based on the Semicondensed version of Polaris, which only exists as beta fonts on the computers at Pentagram and UFOs on my hard drive. When I drew the Cooper Hewitt types, I didn’t recycle the outlines of Polaris, but instead drew everything from scratch, referring to Polaris Semicondensed, not simply tweaking it.

The range of weights is greater in Cooper Hewitt; while a couple of the master weights were based on Polaris, the family of fonts has a different internal structure. A significant stylistic difference is in the hewing to horizontal and vertical stroke endings, as opposed to the angled terminal strokes which are a touchstone of Polaris. Then there are the “plateaus”—or “plateaux” for the linguistic sticklers—within most of the curves in round glyphs. You can’t really see them at anything less than a million points, but they separate the two designs. And the numerals and currency glyphs depart significantly from Polaris.

Village is a type co-op—what is that exactly and who are the members?
Village is a group of a dozen small foundries from around the world. While not technically organized as a co-operative, our model was the first of its kind in the digital era, as far as we are aware. We contact our members to discuss important decisions, such as adding new members to the group. The members sometimes collaborate with each other, and often pass along custom projects where one member is more suited than another. We also avoid stepping on each others’ toes; one member will not publish a design if it’s stylistically close to another member’s design. We distribute the work of our members: A2-Type, Blackletra, Feliciano Type Foundry, Klim, LuxTypo., MCKL, Schwartzco, Type Supply, and Urtd. We publish work through two foundries: Constellation and Incubator.
(more…)

New Career Opportunities Daily: The best jobs in media.

Categories: News

Everything You Always Wanted to Know About Infographics (But Were Afraid to Ask)

Thu, 06/26/2014 - 08:37

Ready to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by veteran creative director Sascha Mombartz, whose resume includes stints at The New York Times and Google, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts on Tuesday, July 1. Learn more here.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Chicago Getting Its Own Architecture Biennial

Wed, 06/25/2014 - 12:36

Watch out, Venezia. The Windy City is getting a biennial of its own. Announced this week, the inaugural Chicago Architecture Biennial—billed as the largest international survey of contemporary architecture in North America—is set to open October 1, 2015 in and around the Chicago Cultural Center. The three-month-long event, presented by the City of Chicago and the Graham Foundation, will be funded through private donations (BP has already chipped in $2.5 million).

“Chicago is the birthplace of modernism in architecture and every architect in the world knows our city’s history of innovation in the field through the work of architects such as Louis Sullivan, Frank Lloyd Wright, and Mies van der Rohe,” says Graham Foundation director Sarah Herda, who will serve as artistic director of the Biennial with architect, writer, and curator Joseph Grima. “The Biennial will place Chicago, once again, at the forefront of the architectural imagination.”
(more…)

New Career Opportunities Daily: The best jobs in media.

Categories: News

Design Jobs: Baltimore Magazine, Bloomberg, Soho Publishing

Tue, 06/24/2014 - 18:30

This week, Baltimore Magazine is hiring a web production designer, while Bloomberg needs a photo editor. Soho Publishing is seeking a senior graphic designer, and Avalere Health is on the hunt for a vice president of creative. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

Web Production Designer Baltimore Magazine (Baltimore, MD) Photo Editor Bloomberg (London, UK) Senior Graphic Designer Soho Publishing (New York, NY) Vice President, Creative Avalere Health (Washington, DC) Photo Producer Niche Media Holdings (New York, NY)

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Watch: Packing Tips from Casey Neistat

Tue, 06/24/2014 - 13:11

Spend quality time with the invigorating YouTube channel of Casey Neistat and you’ll find yourself yearning for an advernturesome escape from the screen: isn’t it about time you grabbed your passport and hopped on a plane, and then a skateboard, bicycle, motorcycle, and surfboard, or at least climbed behind the wheel of a Jeep after a monster downpour? The intrepid filmmaker has followed up his J. Crew-sponsored guide to stylish travel with a characteristically DIY approach to luggage for himself and his neon pink penny skateboard.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Gehry-Designed Fondation Louis Vuitton Set for October Opening

Mon, 06/23/2014 - 18:05


(Photo: Iwan Baan)

Once upon a time, LVMH honcho Bernard Arnault announced his grand plan for a Frank Gehry-designed home for the Fondation Louis Vuitton: it would hover over a 2.5-acre swath of Paris’s Bois de Boulogne like a contemporary art-filled cloud of glass, it would cost around $127 million, it would be open by…2010. No word on the final budget, but opening day is finally in sight: October 27, 2014 will mark the public debut of the 12,600-square-foot building, according to a statement released today by LVMH.

Gehry looked to the lightness of late 19th-century glass and garden architecture in designing the structure, which is perched like an articulated nimbostratus in the leafy Jardin d’Acclimatation. Comprised of a dozen glass “sails,” it is covered in 3,600 panes of glass. The eleven galleries it contains will be dedicated to the permanent collection, temporary exhibitions, and artists’ commissions. Among the opening exhibitions will be one showcasing Gehry’s architectural project for the foundation and timed to coincide with the architect’s first European retrospective, which goes on view in October at the Centre Pompidou.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Pages


Get a new logo for your company.
In our logo store you can pick from over 40,000 pre-made logos that will be customized to your name for free or you can post a contest for us for just $250 and our designers from all over the world will submit dozens of logo design suggestions to your specific needs.

Marketplace