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Where Designers Read Design
Updated: 3 min 35 sec ago

Friday Photo: Tadao Ando Takes a Picture

Fri, 07/04/2014 - 13:37


(Photo: UnBeige)

Tadao Ando first visited the Clark Art Institute, located in Williamstown, Massachusetts, in 2001, having emerged as the clear winner in the competition to develop an architectural master plan for the institution, known for its top-notch collection of Old Masters and Impressionists as well as a hub for art historical research and conferences. On his most recent visit from Osaka, just last week, Ando surveyed the nearly finished project, camera in hand. Trailed by a scrum of journalists and museum staff, he regarded with approval and personal snapshots the expanded Clark and its transformed 140-acre campus, which opens to the public today.

The multi-phase project combined Ando’s talents with that of Annabelle Selldorf (who expanded and renovated the Clark’s original 1955 museum building), Gary Hilderbrand (responsible for the sweeping and sustainable redesign of the Clark’s grounds), and Gensler (which served as executive architect). Ando’s 42,560-square-foot Clark Center, the new stone, concrete, and glass centerpiece of the campus, serenely fulfills an astounding array of functions spread between two levels—reception, exhibition space, dining, retail—while uniting the new with the old and the built environment with natural wonders—verdant hills, trails, and a new three-tiered reflecting pool that later this year will become an epic skating rink. In describing the project, Ando emphasized the theme of continuity: “The continuity of the Clark family, the continuity of history, the continuity of the seasons,” he said. “There really is this continuity throughout the site.”

New Career Opportunities Daily: The best jobs in media.

Categories: News

Quote of Note | Tomas Koolhaas

Fri, 07/04/2014 - 05:04


Rem Koolhaas in Venice at sunset. (Photo: Tomas Koolhaas)

“Usually architecture documentaries really only appeal to viewers with a deep understanding of architectural concepts and jargon. I think by taking a more humanistic approach my film will appeal to anyone who can relate to other people….I don’t think it’s as black and white as either ‘architecture people’ or ‘general public.’ I think there are a lot of gradations in between. For example, creative people who can appreciate architecture but maybe are not interested enough to be very well versed in technical jargon or abreast of every element of architectural discourse. I think those people make up quite a large group and most architecture documentaries fail to engage them. It’s those kinds of people that my film could manage to reach. I don’t presume to think that a large portion of my audience is going to be people who don’t care about architecture at all, but I want there to be elements of the film that anyone can enjoy.”

-Tomas Koolhaas on the anticipated audience for the documentary (view trailer below) he is making about his father, architect Rem Koolhaas. Read the full interview in the new Rem-themed issue of CLOG.
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New Career Opportunities Daily: The best jobs in media.

Categories: News

Elle Decor Celebrates 25 Years, 1 Red Chair

Thu, 07/03/2014 - 13:12

It’s not easy to wish yourself happy birthday in an engaging video, but Elle Decor pulls it off with the help of a cherry red armchair. Paradoxically named for another magazine, Poltrona Frau’s “Vanity Fair” chair graced the cover of the very first stateside issue of Elle Decor (pictured) alongside coverlines including “The Simplicity of American Wood” and “America’s Love Affair with Wildflowers.” That was nearly twenty-five years ago, and the magazine rounded up some of its favorite people—from interiors all-stars such as Bunny Williams and Robert Couturier to fashion designer Carolina Herrera and longtime contributor Daniel Boulud—to celebrate the impending quarter-century milestone.

A special anniversary issue is planned for the September edition. As for that red armchair, it’s safely ensconced in the Elle Decor offices, where it will be forever be compared to its younger self. “It has more alizarin in it,” says interior designer Alessandra Branca in the video, pointing to the actual chair before turning back to one depicted in the vintage magazine in her lap. “That has more cadmium.”

New Career Opportunities Daily: The best jobs in media.

Categories: News

Surface Brings Back Avant Guardian Photo Contest

Wed, 07/02/2014 - 13:00

Surface magazine’s Avant Guardian contest is back—and better than ever. Among the tantalizing opportunities up for grabs in the competition (returning after a few years’ hiatus) is the chance to share an issue with the man, the myth, the Mario Testino, who is fronting the October Surface in honor of his upcoming “Alta Moda” exhibition at Dallas Contemporary.

“The contest is all about nurturing rising talent—from getting entrants’ work in front of an exceptional jury, awarding free studio time to produce an original spread in the magazine, and exhibiting their work to a crowd of influencers in New York and Miami during Art Basel,” associate editor Aileen Kwun tells us. Among those who have signed on to judge the submissions are architectural photographer Iwan Baan and Johan Lindeberg of BLk DNM. Entrants may submit a portfolio of up to ten images in one of five categories (fashion, architecture, portraiture, fine art, and technical/still life) before the July 24 deadline.

Photo: Mario Testino

New Career Opportunities Daily: The best jobs in media.

Categories: News

Hennessy and Pratt Institute’s ‘Wild Rabbit’ Competition Winners Announced

Tue, 07/01/2014 - 21:03

Writer Nancy Lazarus hops over to Pratt Manhattan Gallery for a creative collaboration between Pratt Institute and Hennessy V.S.


Pratt MFA student Eduardo Palma’s winning project, an interactive poster. (All photos: Pratt Institute/Peter Tannenbaum)

Pratt Institute once again teamed with Hennessy for the “Wild Rabbit” contest. The third annual competition challenged nine Pratt students from six creative disciplines to create works of art based on Hennessy’s M.O., “never stop, never settle,” symbolized by the constantly striving bunny brand icon. A panel of seven industry judges recently viewed the works at Pratt’s Manhattan Gallery and selected the top three winners, who will fly to Los Angeles next week for an event where their works will be on display in conjunction with the launch of a Shepard Fairey-designed bottle of Hennessy V.S. Multi-layered approaches marked the common themes for the winners, though they hailed from different geographic areas and interpreted the assignment differently. Here’s a look at the winning projects.

First place ($10,000): Eduardo Palma (at right), from Bogota, Colombia, MFA in communications design
His wild rabbit: Impacting culture through language
Es Mejor ser Rich que Poor (“It’s better to be rich than poor”) is the statement on Palma’s wall-size poster, set in Friz Quadrata. The surface layer shows a Latin American map in the tones of American currency, divided into cutouts of heavy cardstock.

Palma invited viewers and judges to remove the postcards, uncovering another saying, Plata or Plomo (“Money or Lead”). The quote is from Colombian drug trafficker Pablo Escobar, who enforced a bribes-or-bullets program. The bottom newsprint layer shows images in red, yellow, and blue—the colors of the Colombian flag—and depicts Escobar becoming Donald Trump.
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New Career Opportunities Daily: The best jobs in media.

Categories: News

Design Jobs: Heartland Brewery Group, New Relic, Next Magazine

Tue, 07/01/2014 - 18:30

This week, Heartland Brewery Group is hiring a graphic designer, and New Relic needs a graphic designer, too. Meanwhile, Next Magazine is seeking a design director, and Madison Performance Group is on the hunt for a graphic and web designer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

Graphic Designer Heartland Brewery Group (New York, NY) Graphic Designer New Relic (San Francisco, CA) Design Director Next Magazine (New York, NY) Graphic and Web Designer Madison Performance Group (New York, NY) Exhibit Architect Designer European-Based Agency (Houston, TX)

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Categories: News

Frieze Taps Barber and Osgerby’s Universal Design Studio to Design London Fair

Mon, 06/30/2014 - 13:51

Now in its eleventh year, Frieze London is getting a new look. This year’s fair, which runs October 15-18 in leafy Regent’s Park, will be designed by Universal Design Studio. The creative consultancy, founded in 2011 by designers Edward Barber and Jay Osgerby to focus on architecture and interiors, takes over from fellow Londoners Carmody Groarke, who handled the fair’s architectural aspects (read: supercool megatent) for the last three years. Frieze has previously employed Caruso St John (2008-2010), Jamie Fobert (2006–2007) and David Adjaye (2003-2005).

“The architecture and design of the fair have always been an important part of our identity,” say Frieze founders Amanda Sharp and Matthew Slotover. “This year we were drawn to Universal in particular due to their work on interiors and focus on materials. As some of the best designers working in this area, their lateral thinking has been demonstrated by some of their great furniture and even their design for the Olympic torch. We’re really looking forward to them bringing this sensibility to Frieze.” Among Universal’s recent projects are Google Web Lab at London’s Science Museum, exhibition design for Vitra’s Vitrahaus exhibition, and both the interior and exterior of the London outpost of the Ace Hotel.

New Career Opportunities Daily: The best jobs in media.

Categories: News

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