What a week it has been for Emily Sharp, a freshman journalism major at Oklahoma University and assistant life and arts editor for student newspaper The Oklahoma Daily.
On Super Bowl Sunday, very close to the exact moment when Pete Carroll and his offensive coordinator were (wr)etching their names into the Bungle Hall of Fame, she posted the contract for Jack White‘s February 2 concert at the school. A trivial detail about a guacamole recipe was seized upon by social media, and by Tuesday, Sharp was explaining her public-information methods and public-need-to-know motives in a follow-up article:
White said at the concert, \"Just because you can type it on your computer doesn’t make it right.\" We agree completely.
This is something journalists go over extensively in media ethics courses and within their organizations. Two of our standards, as outlined by the Society of Professional Journalists, are to seek truth and report it and to minimize harm. We reported the truth of what the university paid White and what White requested in his contract.
Journalism must hold public figures accountable. By our university paying White and his band $80,000 to play on campus, he is a public figure. Also, the university officials who booked White were public officials tasked with managing money, some of which comes from students’ fees. We reported the costs so students could see how their money was being spent, who was spending and on whom it was spent.
As a result of Sharp’s reporting, White’s agency William Morris Entertainment (WME) has reportedly crossed off OU from future client appearance consideration. Meanwhile, also per Sharp, the university essentially broke even on the expensive Monday concert event, taking in monies that were $1,000 short of costs.
P.S. Sharp is also an author. Check out her Los Angeles-set fiction debut here.
It’s a long way from Nolensville, Tennessee to Los Angeles, California. But as Dave Paulson, an entertainment and music reporter for The Tennessean breezily reminds, that’s the captivating trajectory attached to Meghan Trainor’s gargantuan hit song \"All About That Bass,\" competing Sunday in the Grammy categories of Song of the Year and Record of the Year.
Here’s how Paulson delightfully starts out his article:
If you ever visit Kevin Kadish‘s recording studio, you’ll be greeted by his neighbors, but they won’t say much. They’re cows.
The producer and songwriter lives and works out of his country home — built in 1880 — on a backroad in Nolensville, and he’s surrounded on three sides by a 100-acre Angus farm. He converted the stand-alone garage into a full-fledged studio and soundproofed it to stop any “moos” from getting into the mix.
Kadish recalls how Trainor, when she first visited the studio, spied \"All Bass, No Treble\" on his laptop running list of potential song titles and put together the killer ditty, with a little chorus help from the producer, in a matter of a few moo-minutes. The parody video tributes to Trainer’s pastel number have reached all the way back to the <a href="https://www.youtube.com/watch?v=Pduszh4ADTU" target="_"Nashville Public Library.
Read the rest of Paulson’s article here.
At an event last night at The New School, New York Times columnist David Carr moderated a panel on podcasting’s resurgence. The discussion featured Sarah Koenig, whose wildly popular “Serial” podcast, exploring the true story of a 1999 murder of an 18-year-old student in Baltimore, has to date reached 65 million total downloads.
Alongside Koenig were Alex Blumberg, creator of the podcast “StartUp” on Gimlet Media and founder of NPR’s “Planet Money”; Alix Spiegel, co-host of NPR’s new series “Invisibilia”; and Benjamen Walker, a founding member of Public Radio Exchange’s Radiotopia and host of the podcast “Theory of Everything.”
All of the guests, except Walker, were current (Koenig) or former producers of public radio program “This American Life,” hosted by the formidable Ira Glass. Primarily, panelists discussed what the podcast boom might mean for the future of public radio.
Koenig, who admitted to being a podcast virgin before “Serial,” said she was “shocked” by the response to the series and soon realized the platform was “an intimate experience” unlike that of “This American Life.” Since “Serial” took off, she said she frequently gets phone calls and actual snail mail from listeners who “assume we’re friends.”
Spiegel added there were “opportunities for depth” that existed with podcasts versus public radio. “You can do a three-hour story [via a podcast],” she said. “It’s like a blank slate.”
A former reporter for ABC News and The New York Times, Koenig compared the process of creating “Serial” to investigative reporting. For example, she described how her team attempted to recreate events documented in police reports from the 1999 murder investigation in order to prove their plausibility.
The flexibility of the medium was described as another appeal. Said Blumberg: “Anybody can listen anywhere at any time. It creates freedom.”
When Carr asked what the “secret sauce” was to a compelling narrative, Koenig said she learned “there has to be something at stake, tension” and “an element of surprise.” Blumberg said his two building blocks were incorporating anecdotes and “moments of authentic emotion.”
The discussion can be viewed in its entirety here.
First off, let’s start with the way Lucky Group president Gillian Gorman Round framed the layoffs this week at Lucky magazine to New York Post media reporter Keith J. Kelly. His sources say around 15 were let go; Round puts the number at under ten:
\"We were just doing some readjusting on the editorial side.\" Gorman Round said.
And when Kelly asked if Lucky magazine, spun off from Condé Nast last summer, is profitable, Gorman Round beat a-gorman-round the bush:
She declined to say if the venture was profitable, before adding, “We are very financially robust.”
Read the rest of Kelly’s report here. It includes some nasty allegations about how the affected employees’ accumulated time of service prior to the 2014 spin-off was treated.[Slide image via: luckymag.com]
Crain’s New York reporter Cara S. Trager was unable to get Observer Media Group executives to comment. But according to her very reputable other sources (two Observer staffers, advertisers), the Winter 2014 issue of Yue magazine is the publication’s 13th unlucky final one.
From her report:
Yue was a joint venture between the Observer Media Group, whose holdings include the pink-sheet New York Observer, and China Happenings, a company that bills itself as a multimedia and consulting agency focusing on the lifestyle and culture of contemporary China. Chiu-Ti Jansen, who launched China Happenings, served as Yue‘s publisher and editor.
… According to a 2012 Women’s Wear Daily story, Yuereportedly had a controlled circulation of 35,000, including 8,500 copies that were mailed to Chinese residents in New York whose incomes surpassed $250,000. Other copies were dispatched to hotels, restaurants and business and cultural venues that attract Chinese travelers.
Launched in the fall of 2011, the bilingual publication’s cover subjects have included Elementary star Lucy Liu, Chinese actress Ziyi Zhang and male model Zhao Lei.[Image via: yuemagazine.com]
GalleyCat: Oprah Winfrey is creating an adaptation of Natalie Baszile’s book, Queen Sugar. It’s a good day to be Baszile.
TVNewser: Now several pilots are giving different versions of that infamous Brian Williams helicopter flight. We choose to believe the one not being paid off by Williams.
TVSpy: A news helicopter that was following a police car chase also caught a fight outside a mattress store. File this under “Only in LA.”
Time Inc. restructures its communications division. Jaison Blair, currently vice president of investor relations, is the new senior vice president of investor relations and corporate communications. Time, Fortune and Money communications vice president Daniel Kile moves up to senior vice president of brand communications. Executive vice president of corporate communications Teri Everett and Nancy Valentino, senior vice president of communications and brand development, are out. Meanwhile, Matt Bean — last seen as editor-in-chief of Entertainment Weekly, a job he didn’t really want, where he lasted just a year — moves to senior vice president of editorial innovation, a fancy title for head of native advertising…
So long, farewell to The Dish. Andrew Sullivan’s team will stop publishing the site, announcing the news about a week after the head man said he was done writing for his creation. “The simple truth is: all three co-owners of the site, me, Patrick Appel and Chris Bodenner, have come to the conclusion that the practical, financial and editorial challenges of continuing on are simply too great for us to bear as we are, let alone without me,” he wrote in a post about the news… The Huffington Post installs Gabriel Arana as senior media editor. He had been a guest editor at The Nation… Twitter data editor Simon Rogers adds a job as Vox contributing editor to his slate… Read More
In the background of this year’s Sports Illustrated Swimsuit Edition cover is a glimpse of Tennessee luxury resort Blackberry Farm. The idyllic locale has previously been plugged into covers of Garden and Gun, Bon Appetit and American Spa. But this is a whole new level of exposure [pun intended].
Outlets in The Volunteer State are celebrating this angle, as well they should. Here at FishbowlNY, we were tickled by some less obvious juxtapositions involving cover model Hannah Davis and her meadow background. Think of Davis as a Tennessee BFFF (Blackberry Farm Friend Forever).
1) The dress code for Blackberry Farm’s award-winning restaurant The Barn would stop the cover girl at the door. Jackets for men, equivalent dress for women.
2) The editors of SI may have overlooked a slightly better cover opportunity. One that could have helped assuage critics who complain that the cover is too racy. Per recent visitor and journalist Kristin Luna, there is a Puppy Bar on the premises, one that Davis could have sourced for some extra cover help. From Luna’s travel post:
That’s right, you read that correctly: You can drive right up and borrow a pup. OK, so technically it’s a kennel, but whatever; at any point during your stay, you can phone up the trainer and ask to go cuddle some truffle dogs! I know, right?
3) On the heels of this foxiest of Time Inc. honors (save perhaps for 2014 Sexiest Man Chris Hemsworth riding a Blackberry stallion), the resort is this weekend hosting one of its annual fox hunts. But don’t worry, these events usually end with the hunters scaring a fox back into a hole.
4) Heterosexual male reaction to the Swimsuit Edition cover on Twitter was, in many instances, a moment that required these users to remind themselves to breathe. In April, rising Southern stars Need To Breathe will be performing at Blackberry Farm.
5) Finally, the genealogy of this spectacular Tennessee getaway is rooted in a 1939 visit by Chicago’s Florida Lasier. After she “snagged her silk stockings on a wild blackberry bramble,” the Smoky Mountain foothills area was christened. Perhaps, in honor of Davis’s jaunt across the meadow last summer, a patch that meadow can be named in her honor. We have a thoughts in that regard; sadly, none of them can be repeated here.[Photos via: Facebook]
Here’s a look at the posts that made the most buzz the past seven days.Instagram is Hiring Journalists A Gronk-Sized Goof SI Swimsuit Issue Features its First Plus-Size Model The 2015 National Magazine Award Winners Why Hollywood is Freaking Out Over a Redesigned More
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This week, Newsday is hiring an editorial writer, while CafeMom needs a copy editor. Knock Twice is seeking a senior writer/editor, and Horsesmouth is on the hunt for an assistant editor. Get the scoop on these openings below, and find additional just-posted gigs on Mediabistro.Editorial Writer Newsday (New York, NY) Copy Editor CafeMom (New York, NY) Senior Writer/Editor Knock Twice (New York, NY) Assistant Editor Horsesmouth (New York, NY) Writer/Communications Consultant Family Foundation (New York, NY)
Find more great NY jobs on the Mediabistro job board. Looking to hire? Tap into our network of talented media pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.
Refinery29, known mostly for its fashion coverage, is expanding. The site, founded by Justin Stefano and Philippe von Borries in 2005, has added a food vertical. It will be led by Elettra Wiedemann, who has been named executive food editor.
Wiedemann — daughter of Isabella Rossellini — seems to be the perfect person for the role. She is a former model and the founder of Impatient Foodie. She has also contributed to Teen Vogue, Cherry Bombe and more.
“We’ve seen great interest from our readers around food-related content, and Elettra’s point of view and background in the culinary arts complement Refinery29 perfectly,” said Refinery29 editor-in-chief Christene Barberich, in an announcement. “I’m very excited about having her on the team and building out this category that fuels so much of our everyday lives.”
Brian Williams — who repeatedly lied about being shot down in a helicopter in Iraq — has been given a solid nickname. Courtesy of The New York Post, from now on, please refer to Williams as Lyin’ Brian. It’s a great way to repay him for his bravery in the face of the truth.
Halbfinger will also have the help of deputy Washington bureau chief Paul Volpe and national security editor Bill Hamilton.
“David will have strong partners on the campaign: he will work closely with Paul Volpe, our deputy, who brings dazzling creativity and smarts to our report across all platforms, and Bill Hamilton, our political enterprise editor, who is among the most talented and thoughtful architects of long-form stories anywhere,” wrote the Times’ Washington bureau chief Carolyn Ryan, in a memo.
After a couple leaks to The Wall Street Journal, BuzzFeed has decided to crack down on staffers who are tipping journalists. An unintentionally hilarious memo titled “Transparency and Trust” describes leaking as a lack of “personal ethics” and states that staffers could get fired if they’re caught:
Anonymously tipping a reporter to something a colleague says in a meeting isn’t a violation of business or journalistic ethics. It’s an issue of personal ethics. It makes it harder for us to trust one another. That said, the one thing that’s worse for culture than leaks is obsessing about the leakers, so we won’t be launching a plumbing operation to find the holes. But breaching confidences is something we take seriously, and the sort of thing you can get fired for.
Once you stop laughing at the irony of BuzzFeed criticizing ethics, check out this line near the end of the note: “And by the way, if you’re reading this blog post and work at a company with lots of secrets, do go ahead and send them to email@example.com at your convenience.”
If that’s a joke, then was the entire memo and bullshit about “personal ethics” a joke, too? Disparaging staffers’ character, threatening to fire them, and then… Funny time! Certainly an odd place for humor. If that line wasn’t a joke, BuzzFeed thinks anyone who leaks info is trash, unless they happen to work somewhere other than BuzzFeed. Sounds about right.
A couple Revolving Door items this morning, involving The Huffington Post and Saveur. Details are below.Gabriel Arana is joining Huff Post as senior media editor. Arana was most recently a guest editor of The Nation. He previously served as a contributing writer for Salon. He starts February 9. Saveur has named Sophie Brickman a senior editor. Brickman most recently served as a contributor to The New Yorker, The New York Times and more. This is a homecoming for Brickman, as she previously worked for Saveur from 2012 to 2014. She also starts February 9.
On Wednesday night, InStyle proudly previewed their March 2015 cover featuring Kerry Washington. The star also separately shared the cover on Instagram.
On Thursday, the magazine leadership were in a slightly different place, feeling that they needed to respond to a flurry of social media criticism that the cover had been Photoshopped to make Washington look \"whiter:\"
We have heard from those who have spoken out about our newsstand cover photograph, concerned that Kerry’s skin tone was lightened. While we did not digitally lighten Kerry’s skin tone, our cover lighting has likely contributed to this concern. We understand that this has resulted in disappointment and hurt. We are listening, and the feedback has been valuable. We are committed to ensuring that this experience has a positive influence on the ways in which we present all women going forward.
On the plus side, the March 2015 In Style cover is no nearly as scary as the one Washington did for Lucky’s December 2013/January 2014 issue.