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Spotted: New Logo, and Identity for Numberz by NH1 Design

Brand new - 5 hours 26 min ago
New Logo, and Identity for Numberz by NH1 Design Visit Link

About Spotted posts
No further images are included. No opinion is given. Not even a punny title. These are just… spotted. Best available link to learn more about the change (or the company) provided in the link above. Poll and comments are open.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/_o7dOMRuH84/new_logo_and_identity_for_numberz_by_nh1_design.php http://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_numberz_by_nh1_design.php Wed, 22 Feb 2017 16:38:55 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_numberz_by_nh1_design.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - 5 hours 26 min ago
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Announced: On Feedback

Brand new - Wed, 02/22/2017 - 17:55
I have read each comment and reaction on Twitter regarding the new design. Technical issues will be addressed. Design issues are being (re-)considered (like the appreciation of the old logo or the new color palette). Philosophical issues (like home page approach) are not. I have “Acknowledged” On Feedback

I have read each comment and reaction on Twitter regarding the new design. Technical issues will be addressed. Design issues are being (re-)considered (like the appreciation of the old logo or the new color palette). Philosophical issues (like home page approach) are not. I have been neglecting a few other projects these past few months so I have to tend to those for a moment but I will definitely be making some adjustments here and there in the coming weeks. I sincerely appreciate all the constructive feedback... I think if Brand New has proven anything over the years is that I do listen to your feedback and try to integrate some of it as best as I can. Some of the changes to the changes might be welcome by some and not by others or seen as flaky (perhaps reverting to some version of the old logo) but it's all a matter of finding the right balance. Since we are a pretty nimble operation we can easily adjust to get the best of both worlds: what we (2 people) want and what you (thousands of people) want.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/yF5cItlwK40/on_feedback.php http://www.underconsideration.com/brandnew/archives/on_feedback.php Wed, 22 Feb 2017 09:03:34 -0600 http://www.underconsideration.com/brandnew/archives/on_feedback.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Wed, 02/22/2017 - 17:55
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Spotted: New Logo for Tunisia (Tourism)

Brand new - Wed, 02/22/2017 - 16:50
New Logo for Tunisia (Tourism) Visit Link

About Spotted posts
No further images are included. No opinion is given. Not even a punny title. These are just… spotted. Best available link to learn more about the change (or the company) provided in the link above. Poll and comments are open.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/GEbQqRVBNRk/new_logo_for_tunisia_tourism.php http://www.underconsideration.com/brandnew/archives/new_logo_for_tunisia_tourism.php Wed, 22 Feb 2017 08:54:43 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_for_tunisia_tourism.php
Categories: News

Spotted: New Logo for HESTA

Brand new - Wed, 02/22/2017 - 16:50
New Logo for HESTA Visit Link

About Spotted posts
No further images are included. No opinion is given. Not even a punny title. These are just… spotted. Best available link to learn more about the change (or the company) provided in the link above. Poll and comments are open.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/lCWVjgexgz8/new_logo_for_hesta.php http://www.underconsideration.com/brandnew/archives/new_logo_for_hesta.php Wed, 22 Feb 2017 08:36:01 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_for_hesta.php
Categories: News

Linked: Logo Fusions

Brand new - Wed, 02/22/2017 - 16:50
Jonathan Nieh fuses, blends, and Frankensteins pairs of logos. Some of these are quite nightmare-ish. Logo Fusions Visit Link Jonathan Nieh fuses, blends, and Frankensteins pairs of logos. Some of these are quite nightmare-ish. http://feedproxy.google.com/~r/ucllc/brandnew/~3/GjwxNe_UAHI/logo_fusions.php http://www.underconsideration.com/brandnew/archives/logo_fusions.php Wed, 22 Feb 2017 08:27:29 -0600 http://www.underconsideration.com/brandnew/archives/logo_fusions.php
Categories: News

Noted: New Logo for Tyson Foods

Brand new - Wed, 02/22/2017 - 16:50
(Est. 1935) "Tyson Foods, Inc. (NYSE: TSN), with headquarters in Springdale, Arkansas, is one of the world's largest food companies with leading brands such as Tyson®, Jimmy Dean®, Hillshire Farm®, Sara Lee®, Ball Park®, Wright®, Aidells® and State Fair®. It's a recognized market leader in “Dot Your “I”s and Cross Your “T”s” New Logo for Tyson Foods

(Est. 1935) "Tyson Foods, Inc. (NYSE: TSN), with headquarters in Springdale, Arkansas, is one of the world's largest food companies with leading brands such as Tyson®, Jimmy Dean®, Hillshire Farm®, Sara Lee®, Ball Park®, Wright®, Aidells® and State Fair®. It's a recognized market leader in chicken, beef and pork as well as prepared foods, including bacon, breakfast sausage, turkey, lunchmeat, hot dogs, pizza crusts and toppings, tortillas and desserts. The company supplies retail and foodservice customers throughout the United States and approximately 115 countries. Tyson Foods was founded in 1935 by John W. Tyson, whose family has continued to lead the business with his son, Don Tyson, guiding the company for many years and grandson, John H. Tyson, serving as the current chairman of the board of directors. The company currently has approximately 114,000 Team Members employed at more than 400 facilities and offices in the United States and around the world. Through its Core Values, Code of Conduct and Team Member Bill of Rights, Tyson Foods strives to operate with integrity and trust and is committed to creating value for its shareholders, customers and Team Members. The company also strives to be faith-friendly, provide a safe work environment and serve as stewards of the animals, land and environment entrusted to it."

Design by
N/A

Related links
Tyson Foods press release

Images (opinion after)

New Logo for Tyson Foods Logo. New Logo for Tyson Foods The weather vane serves as the reference point. (Image picked from video below.) Traditional weather vanes have a cockerel figure, which is chicken, which is what Tyson sells. Tyson Food Purpose. Logo animation-ish at the end. New Logo for Tyson Foods More to come.

Opinion
The old logo — which I am assuming will remain the same for the Tyson consumer brand — was (and remains) fine; it definitely looks like a grocery store food brand. The yellow stroke looks like it's been very consistently bitten, which, for some reason, is kind of pleasing. The main problem with the old logo was that by taking on the same logo as the consumer brand it eclipsed and hinted at a preference for Tyson over other significant brands like Hillshire Farm or Sara Lee. The new logo is more clearly a parent and corporate brand, representing more equally all of the brands. The monogram features a "T" for Tyson, obviously, and then a chunky arrow lays behind it, creating a subtle crossbar to make an "F" for Foods as a secondary reading. It's an elegant and clever approach and makes for a fine icon. I initially did not get the weather vane connection and my first gut reaction was of a hunter's arrow hunting for chicken (but that's too mean) and my second gut reaction was Steve Martin (but that's too irrelevant). Overall, it's a very nicely executed corporate logo — the arrow matches the aesthetics and thickness of the serifs and that "y" tucks in perfectly under the "T" — while it's nice to see a classic, Clarendon-esque slab serif in use.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/O3hpmjvPBfo/new_logo_for_tyson_foods.php http://www.underconsideration.com/brandnew/archives/new_logo_for_tyson_foods.php Wed, 22 Feb 2017 08:06:39 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_for_tyson_foods.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Wed, 02/22/2017 - 16:50
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Reviewed: New Logo and Packaging for Activia by Futurebrand

Brand new - Wed, 02/22/2017 - 14:40
Launched in 1987 in France, Activia is a brand of yogurt with a significant serving of probiotic bacteria, which, apart from sounding horrible, are live cultures that contribute to the health of your gastrointestinal tract and immune system. Owned by Groupe Danone ("The Dannon Company" “Beam of Probiotic Light” New Logo and Packaging for Activia by Futurebrand

Launched in 1987 in France, Activia is a brand of yogurt with a significant serving of probiotic bacteria, which, apart from sounding horrible, are live cultures that contribute to the health of your gastrointestinal tract and immune system. Owned by Groupe Danone ("The Dannon Company" in the U.S.) Activia is available in more than 70 countries and is one of the leading probiotic products on the market. Last year, Activia introduced a new logo and packaging designed by Futurebrand.

We revisited the entire ACTIVIA ecosystem including a refreshed brand mark, a revised tone of their proprietary green color and new packaging structure and photographic style. The design visually recounts a story at the heart of the new ACTIVIA positioning: the synthesis of science and nature, mind and core, health and pleasure. One of the key elements we created is the new brand icon: a symbol of synergy and balance, key drivers of the new brand storyline. The icon serves as the keystone to the packaging design, creating the new structure for the entire range. All visual elements unite at the epicenter in the form of an upward radiant beam of light emanating from within, a beacon of assurance reflecting the brand's expertise and promise.Futurebrand project page New Logo and Packaging for Activia by Futurebrand Wordmark on its own. New Logo and Packaging for Activia by Futurebrand Full logo with stuff.

The best thing I can say about the old logo is that it was yogurt-y. The way the letters were rounded off along with the stubby serifs and the slight gradient, it had a puffiness to it that looked like yogurt. But the actual lettering was far from interesting or engaging and the fairy dust too annoying. The new logo feels more like a health and active lifestyle brand, even a little bit like a vitamin product from GNC. I could have gotten more on board with the wordmark if the "T" weren't so droopy and if the "C" wasn't so FF Cocon-esque. All the other letters are nice and even the unconventional "IA" ligature at the end is convincingly done. The logo with all the stuff is not my cup of tea but it's appropriate for mainstream consumer packaging, needing to stand out with flashier graphics to compete with the other products that have flashier-er graphics of their own.

New Logo and Packaging for Activia by Futurebrand Sample of the old packaging. Or at least one version of it... different markets have slightly different looks. New Logo and Packaging for Activia by Futurebrand Packaging, before and after. New Logo and Packaging for Activia by Futurebrand New Logo and Packaging for Activia by Futurebrand New Logo and Packaging for Activia by Futurebrand New packaging, hero shots.

The old packaging was fine; not great or inspiring but not offensive either. (Except for the fairy dust). The new packaging is very striking, with the "V" shape actively drawing your eye to the cup. The fruits inside the "V" are... intriguing. I like the simplicity of the product photography but there is something weird about fruit and gold, diagonal lines coming together. Like, it's kinky in the wrong way. The one thing I really don't like are the flavor bands... both how they are not really integrated and slapped on and the typography within that feels default, breaking from the overall elegance the rest of the graphics are aiming for.

New Logo and Packaging for Activia by Futurebrand Fruit label variations. New Logo and Packaging for Activia by Futurebrand A spoon. New Logo and Packaging for Activia by Futurebrand New packaging, more or less IRL (as these are still renders).

Given the amount of shapes and sizes the new visuals have to adapt to (and still manage to include all the information and disclaimers needed in food packaging) this is a commendable solution with some ambition to look different on the shelf. At times, it gets too busy and hard to discern the information among all the lines.

New Logo and Packaging for Activia by Futurebrand Launch event in Mexico City. More pictures of the event (and a few more application renderings) here. The gears are maybe a tad much. "It Starts Inside" tagline video. TV spot featuring Sarah Thomas, the NFL's first female official, and a logo animation at the :21 mark.

Overall, in particular with how the TV spots are presented, there is a nice combination of warmth, care, science, and health that feel right for the product.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/8GXSvkfutU4/new_logo_and_packaging_for_activia_by_futurebrand.php http://www.underconsideration.com/brandnew/archives/new_logo_and_packaging_for_activia_by_futurebrand.php Wed, 22 Feb 2017 05:56:19 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_and_packaging_for_activia_by_futurebrand.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Wed, 02/22/2017 - 14:40
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Wed, 02/22/2017 - 04:55
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Spotted: New Logo for The Old Reader

Brand new - Tue, 02/21/2017 - 20:15
New Logo for The Old Reader Visit Link

About Spotted posts
No further images are included. No opinion is given. Not even a punny title. These are just… spotted. Best available link to learn more about the change (or the company) provided in the link above. Poll and comments are open.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/T1RaFYNeWsU/new_logo_for_the_old_reader.php http://www.underconsideration.com/brandnew/archives/new_logo_for_the_old_reader.php Tue, 21 Feb 2017 12:48:51 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_for_the_old_reader.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Tue, 02/21/2017 - 20:15
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Linked: Chermayeff & Geismar & Haviv × 60

Brand new - Tue, 02/21/2017 - 17:00
2017 marks the 60th anniversary of Chermayeff & Geismar & Haviv. Here is a timeline in PDF version that chronicles their greatest hits. Chermayeff & Geismar & Haviv × 60 2017 marks the 60th anniversary of Chermayeff & Geismar & Haviv. Here is a timeline in PDF version that chronicles their greatest hits. http://feedproxy.google.com/~r/ucllc/brandnew/~3/DiG1Xuvq7IM/chermayeff_geismar_haviv_60.php http://www.underconsideration.com/brandnew/archives/chermayeff_geismar_haviv_60.php Tue, 21 Feb 2017 08:59:25 -0600 http://www.underconsideration.com/brandnew/archives/chermayeff_geismar_haviv_60.php
Categories: News

Noted: New Logo for Dixie by Landor

Brand new - Tue, 02/21/2017 - 17:00
(Est. 1907) "From cups to plates, Dixie® has been helping make mom's day a little easier for over 90 years. Conveniently germfree. Born of necessity, Dixie® products began with a simple idea: prevent the spread of germs. At the time, people commonly used a community “Served on a Paper Platter” New Logo for Dixie by Landor

(Est. 1907) "From cups to plates, Dixie® has been helping make mom's day a little easier for over 90 years. Conveniently germfree. Born of necessity, Dixie® products began with a simple idea: prevent the spread of germs. At the time, people commonly used a community cup or dipper to drink water from public water barrels. Hence Hugh Moore and Lawrence Luellen constructed a simple yet revolutionary idea, the disposable cup, initially named the Health Kup. This new cup was truly a design for the ages. Lightening mom's load. During the baby boom following the second World War, moms looked for modern conveniences to help them get through their busy days. Around this time, Dixie® introduced cup dispensers for the kitchen, paper plates and paper serving platters."

Design by
Landor (Cincinnati, OH, office)

Related links
Dixie about page

Images (opinion after)

Logo history. New Logo for Dixie by Landor Logo. New Logo for Dixie by Landor Saul Bass version, 1969. New Logo for Dixie by Landor New Logo for Dixie by Landor Packaging. Your browser does not support the video tag. Funny-ish spot and idea.

Opinion
The old logo had suffered the passage of time in the most unfortunate of ways, going from a rock-solid Saul Bass design to a tutti-frutti swirl of gradients, shadows, and highlights with the added non-bonus of being set an angle. The new logo does the best it can to bring it back to its heyday, getting rid of all extraneous decorations while simplifying the typography and the ×-flower. It's a decent evolution that is perhaps the best compromise available between Saul Bass' version and the last iteration. The logo looks a lot less like it's made for a kids' birthday party or something that belongs in the cleaning supplies aisle. I wish I could say the same for the packaging — I am guessing not done by Landor — which is still a medley of gaudy cheerful graphics. Overall, a solid logo evolution and while I know this isn't packaging that's supposed to be high-end, it could go up one tier in classiness.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/fcbBjU-e9ng/new_logo_for_dixie_by_landor.php http://www.underconsideration.com/brandnew/archives/new_logo_for_dixie_by_landor.php Tue, 21 Feb 2017 08:38:56 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_for_dixie_by_landor.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Tue, 02/21/2017 - 17:00
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Reviewed: New Logo and Identity for Indiatimes by Animal

Brand new - Tue, 02/21/2017 - 13:45
Launched in 1998, Indiatimes is one of the most popular news and media websites in India, covering politics, sports, music, health, Bollywood, business, entertainment, automobiles, and technology, or, in their words, "smart, intelligent and quirky content from around the world". Indiatimes is one of many “Gettin' Jiggy wit it” New Logo and Identity for Indiatimes by Animal

Launched in 1998, Indiatimes is one of the most popular news and media websites in India, covering politics, sports, music, health, Bollywood, business, entertainment, automobiles, and technology, or, in their words, "smart, intelligent and quirky content from around the world". Indiatimes is one of many brands under the Times Internet umbrella, the largest Indian internet network and the digital venture of Times of India, India's largest media and entertainment group. Late last year, Indiatimes introduced a new logo and identity designed by New Delhi-based Animal.

The brand came to us with a simple proposition - "Let's be relevant. Also, let's be cool." Our way forward became obvious - to set up a platform without the frills and fluff of conventional media. And the first task was snipping away at the name:

Discarding the unnecessary bit.
Indiatimes is now it.Animal project page Logo process and presentation. New Logo and Identity for Indiatimes by Animal Logo. New Logo and Identity for Indiatimes by Animal Grid.

The old logo took its negative kerning seriously with every round character overlapping heavily with the one to its left... they almost pulled it off, had they made the thin overlap lines and actual kerning more equal but from that first "in" pair, it wasn't right. The new logo is a drastic departure, first by getting rid of the full name and going simply with "it" and then by choosing a somewhat challenging logo that is not the easiest to digest or even use. I actually like it a lot as it's completely different from any major web publication and has a bold energy that feels like 1980s MTV and Bloomberg News had a baby. I keep wanting to see some relevant shape in the counterspace of the "i" and "t" as its so pronounced and my eye keeps going there. The logo is a tight unit that works perfectly on the site and needs no shortened monogram to exist on social media.

This color palette effectively utilizes the key colors and justifies the supporting hues. Pink, blue, green, and yellow are the hero colors that serve well in being vibrant, popping and purpose-driven.

Great, since it works well for posters, enormous titles, books and shimmy stuff, the highly contrasted butler typeface is pleased to be at your service. Suave, and bold.Indiatimes About Us page New Logo and Identity for Indiatimes by Animal Manifesto-y kind of thing. New Logo and Identity for Indiatimes by Animal Logo-as-window with wallpaper. New Logo and Identity for Indiatimes by Animal 3D versions.

The simplicity of the logo allows it to take on the logo-as-window structure -- and in this case it also gets a background-as-window complement for some hectic combinations -- as well as more interpretative 3D variations that can adapt to the topics they cover. The logo-as-window is far more successful in conveying the youthful vibe of the site than the halfway-there 3D renderings of chocolate, satellites, and speakers.

New Logo and Identity for Indiatimes by Animal New Logo and Identity for Indiatimes by Animal Typography.

While these two typefaces get credit in the project page, the only one most users will see is Google Fonts' Oswald, as it's the main font used on the website and it makes for a good complement to the logo. In application, both Zona Pro and Butler do get used more.

New Logo and Identity for Indiatimes by Animal Business cards. New Logo and Identity for Indiatimes by Animal New Logo and Identity for Indiatimes by Animal Various -- like, really various -- applications. New Logo and Identity for Indiatimes by Animal Tote. No idea what's going on with the hangtag... I'm going to assume there is a reference that I'm not getting. New Logo and Identity for Indiatimes by Animal Online presence. New Logo and Identity for Indiatimes by Animal Phones. Lots of.

The applications are all over the place and there isn't a clear governing approach, other than making things big, making the colors vibrate, and seeing what may or may not work. The business cards have a good thing going with the "Love it", "Work it", "Feel it" lock-ups and the airiness but then the front is super clunky. The line patterns (like on the tape) are somewhat arbitrary and then, where they might match the emanating lines of the tote graphic, they don't. Overall, the logo sets the right tone for the identity but it needs more polishing and reigning in. Still, it's great to see some risk-taking for a media brand in India.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/btvSdtvFf80/new_logo_and_identity_for_indiatimes_by_animal.php http://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_indiatimes_by_animal.php Mon, 20 Feb 2017 21:30:12 -0600 http://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_indiatimes_by_animal.php
Categories: News

Sponsored by Hoefler & Co.: ...

Brand new - Tue, 02/21/2017 - 13:45
Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co. “Hoefler & Co.” Meet Ringside, a new sans serif from Hoefler & Co.

Designed for diversity instead of homogeneity, Ringside brings the charming individuality of the potluck sans serif to the modern superfamily. Meet Ringside, the new font family for print, web, office, and mobile, exclusively at H&Co.

Meet Ringside, a new sans serif from Hoefler & Co.

Modernism was a mixed blessing for typography. Half a century before Helvetica and Univers, there were no type families: the designer who hoped to use different weights and widths was left to grope among an anarchic collection of unrelated styles. One font might be bold, another condensed, and only the occasional style might offer an italic. And while the rationalism of the type family brought order to the chaos, offering designers the promise that a sans serif with a Light would also have a Bold, it also drove some of the world's most colorful sans serifs into extinction. Twenty years ago, our Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types, one of America's great contributions to type history. Picking up where this project left off is Ringside, a sans serif shaped by new challenges, new influences, and new ideas.

Meet Ringside, a new sans serif from Hoefler & Co.

Where Knockout was designed for headlines, Ringside is made for text. Its proportions, fit, and details are designed to thrive at the smallest sizes, and each of its weights and widths includes that most essential quality of a dependable text face: a companion italic. Extended character sets that include tabular figures and fractions ensure that designers can use the fonts to articulate even the most complex information, and six parallel families of ScreenSmart® webfonts ensure that Ringside performs flawlessly on every kind of screen.

Meet Ringside, a new sans serif from Hoefler & Co.

While it offers all the versatility of a rationalized font family, Ringside works to avoid the bland plasticity of digital type. Instead of relying on restrained shapes that can predictably stretch in different directions, Ringside follows different design decisions in each part of the family, to ensure that every style is visually distinctive. Its most compact faces, Ringside Compressed and Condensed, feature romans with flat sides and parallel gestures, paired with italics whose swelling curves and subtle diagonals offer a contrasting texture. In its broader Narrow and Regular, flat sides are traded for round ones, giving both designs the familiar visual rhythms of traditional text faces. And the broadest designs, Ringside Wide and Extra Wide, introduce fully-curved characters with diagonal stroke endings, lending the design both warmth and character.

Meet Ringside, a new sans serif from Hoefler & Co. Ringside ScreenSmart: High-Performance Webfonts

Ringside ScreenSmart is an adaptation of the family specifically engineered for the screen, and available for use on the web through Cloud.typography. To ensure outstanding rendering on screen at sizes as small as nine pixels, we carefully adjusted the fonts' fit, color, and proportions, and orchestrated their progression of weights so that each style is distinctly different from its neighbors. Like all ScreenSmart fonts, Ringside ScreenSmart is equipped with a set of detailed instructions called "hints," which tell its outlines how to adapt themselves to pixel grids at different point sizes, to ensure that the fonts always retain both their legibility and their personality.

See more of Ringside at typography.com.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/6nhyiJnVILQ/meet_ringside_a_new_sans_serif_from_hoefler_co.php http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php Mon, 20 Feb 2017 05:33:31 -0600 http://www.underconsideration.com/brandnew/archives/meet_ringside_a_new_sans_serif_from_hoefler_co.php
Categories: News

Spotted: New Name and Logo for Super Netball

Brand new - Tue, 02/21/2017 - 05:05
New Name and Logo for Super Netball Visit Link

About Spotted posts
No further images are included. No opinion is given. Not even a punny title. These are just… spotted. Best available link to learn more about the change (or the company) provided in the link above. Poll and comments are open.

http://feedproxy.google.com/~r/ucllc/brandnew/~3/gxwe80BEdu8/new_name_and_logo_for_super_netball.php http://www.underconsideration.com/brandnew/archives/new_name_and_logo_for_super_netball.php Mon, 20 Feb 2017 21:42:04 -0600 http://www.underconsideration.com/brandnew/archives/new_name_and_logo_for_super_netball.php
Categories: News

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